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00:40 Chloé
Recall  (Jonathan Kaspar Remix)
04:57 Chloé
Trhough The Bells  
12:30 Perel
15:54 Undo
Autómatas  (Iñigo Vontier Otro Mix)
23:28 Chloé
The Backlash  (Fort Romeau's 606 Mix)
28:46 Know this track? Tell us
35:06 Moon Boots
First Landing  (Rex The Dog Remix)
41:00 Know this track? Tell us
47:40 Francesca Lombardo
What To Do  (Matrixxman Remix)
53:28 Kraftwerk
It's More Fun to Compute  (2009 Remaster)
59:20 Guy Gerber
DJ Set

Mayan Warrior
Burning Man 2018

69 mins. | Mayan Warrior | 2020 | Deep House,House

Function Loops Function Loops: Melodic Future Bass

By @Mayan Warrior

This episode contains multiple videos, you're currently watching (2/2).

Chloe (1/2) | Mayan Warrior | Burning Man 2018 | USA

Chloe has, without a doubt, led an entire generation to her electronic music playground – one that goes beyond strictly club and techno.
Chloé is a composer, meaning she gives life to an artistic idea. And working with electronic means allows for the possibilities to be expanded tenfold. 
The challenge is to keep a kind of certainty in spite of the doubts that arise throughout the creative process. It is precisely this inner questioning, this contradiction (and the decisions that provide solutions to it,) that
nourish and motivate Chloé's work.
As much a film music enthusiast as an accomplished guitar player, she stumbled into the electronic scene early on, developing an unwavering curiosity for sound machines. 
Her appetite for vinyl would substantiate a DJ career full of subtle explorations. 
Since her first EP, Erosoft (2002), Chloe, not satisfied with merely stringing together purely functional tracks, has been telling stories.
Many EPs and remixes would follow, on labels such as BPitch Control, Live at Robert Johnson, Kill the DJ, My Favorite Robot, or Throne of Blood, and would open her up to headlining gigs at clubs around the world, having built a reputation for sets that thrill by the sense of coherence with which she reconciles eclectic styles.
An obsessive seeker of new sounds, she assembles and blends together unlikely tracks, creating subtle contrasts that come together into singular mixes. Her two LPs fit within this narrative continuum: The Waiting Room (2007) and the Victoires-nominated One In Other (2011), with their deft handling of aesthetics, have stood the test of time.
This desire to eschew readymade formulas, and her constant research into musical and human matters, gave her the impetus to start her own label, Lumiere Noire.

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